Droplets: A Short Story Collection

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Asenna Steam. Kaupan etusivu. Pelit Pelit. Ohjelmistot Ohjelmistot. Laitteisto Laitteisto. A collection of very short stories. The fun comes not from avoiding the potential horrors, but by seeing just how many ways things can go wrong. Kaikki arvioinnit:. GB Patch Games. Julkaisija: GB Patch Games. Jaa Upota. JB has been attending the fancy boarding school Saint Sara Belle for almost a year now.

JB is fine with that, especially because one of the awful people there is her special someone. We publish a winter print issue as well as a spring online issue, both of which features compelling poetry, fiction, and literary nonfiction by established writers and new voices alike.

[PDF]Droplets: A Short Story Collection by Scott A Johnson - ePub PDF Mobi eBooks - gloesebooks4

In Alaska, our unique environment shapes our perspective, but Permafrost seeks original voices from all over the world. We are now accepting submissions for our summer online issue! Submissions will be accepted until May 14th, Submit now! This is indeed an apt portrayal. Divina Trace is the story of Magdalena Divina, the patron saint of Corpus Christi, an imagined island in the Caribbean.

Tag: short stories

We are introduced to the story by Dr. Johnny Domingo, Jr. The story itself is a wild ride, a mix of religions, histories, and sciences that come together to paint the ungraspable picture of miracles and mysteries. The elusiveness of this story is both created and made more manageable for the reader through the use of structure, language, form, and repetition. Though the story itself is messy, with the blurred edges that come with the intense humidity of island life, the structure is nearly mathematical, precisely formed. In each chapter, Johnny Domingo introduces us to a narrator who tells him what they know of the story of Magdalena Divina.

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These narrators make a perfect palindrome, with chapters being told in kind by Granny Myrna, Papee Vince, Evalina, Dr. Domingo Sr. Almost exactly one-quarter and three-quarters of the way through the book, during the chapters of Dr. This structure gives the reader something to hold on to as the story and the language falls apart.


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The language of this book plays a particularly big role. There are very few sections which are written in standard English. Even Johnny Domingo, who was educated in America, slips into Caribbean dialect as he writes.

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This is even more evident in the voices of the storytellers. Each person has their own language and way of speaking. Mother Superior, for example, uses Spanish and cusses like a sailor. Evalina talks in a thick Caribbean accent. There are line breaks and it is the retelling of Indian epic The Ramayana. The most striking chapter is that in which Hanuman speaks. In this chapter, the language is meant to be English, but in the voice of a monkey.

But this is far from the uneducated jabbering of a mindless chimp.

heathsporting.com/wp-content/387/zoca-site-tchatche.php This chapter is certainly disorienting, but by this time the reader is prepared for it because the language has been slowly becoming more and more slippery and nuanced as the different voices take the stage. Antoni uses a variety of forms to tell this story as well. In addition to the mirror and the pages and pictures from medical journals, he also uses epic poetry, personal letters, knot tying diagrams, musical notation, recipes, and newspaper articles. The myriad sources underlines one of the main themes of the book: Who has the authority to tell stories and decide which versions are told?


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In each chapter, the story of Magdalena Divina is told again, sometimes negating previous chapters, sometimes adding new information, sometimes raising new questions. This is done in such an artful way that the reader is compelled to keep going, even through the sometimes confusing, difficult-to-read varieties of language. Perhaps one of the most intriguing, subtle techniques that Antoni uses is repetition. Each chapter is a repetition of the story. We see the same scenes from different points of view and in different languages, which make them different scenes all together.

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The characters also begin repeating themselves and each other. There are echoes of phrases from previous storytellers, making it difficult for the reader to tell where the story is coming from and whose words are whose. House of Leaves by Mark Z. Danielewski is a stupefying maze of a book. It is a story within a story within a story which defies the conventions of traditional page formatting and linear narrative.

The strengths of this book lie in the way that its strangeness and its narratives come together to leave the reader with some very strong overall impressions. The main text of House of Leaves is a faux-academic examination of a non-existent film entitled The Navidson Record. The film is a documentary?

Truant goes insane while working on the book, which is then found, edited and published by nameless editors, who also add their own footnotes. This is presumably the status of the text when it reaches the reader. The theoretical examination of The Navidson Record is a clear riff on academic writing.

The problem with this is that try as Johnny Truant might, he cannot find evidence that the film being theorized about even exists. This makes The Navidson Record seem like a notable film and the reader must constantly remind herself that not only are the theories and quotes mostly made up, the film itself does not exist. This academic writing completely falls apart as the book progresses. He begins writing nonsensical footnotes that appear in boxes in the middle of the page, run on forever in lists, and bleed through to the other side so that the reader is reading the text both forward and backwards.

German and French litter the pages, sometimes untranslated. The most notable of these contains a series of letters to Johnny Truant from his mother. She writes these while in a mental institution and they range from traditional-seeming letters to letters with scattered text to letters in secret code. The reader is referred to these letters early on and this helps the reader understand how to read other parts of the book.

The main reason that all this is tolerable is that it fits so well with the story itself. Like the house in The Navidson Record , the book folds in on itself, containing story within story. It is a maze, just like the house is, and the reader must navigate it in the same way that Will Navidson must navigate his house. It is impossible for the reader not to get lost in it. Instead of being alienating gimmicks, the nuances of the book pull the reader in, making her feel like one more layer in the maze of stories that make up the book.